Lydia and Stella
Anna in foreground, Kamidah, Knight and Alice in background
Alice working with the women at the cutting table
Lydia and Dorothy beading
Alice and I discussing pricing
The Bitengye Designers - October '15
Things have not been going so well for these ladies lately. Despite their best efforts, the school uniforms they had hoped to sell have not been sold, the order they thought they had received from an organization that purchases crafts for tourist agencies has fallen through, and the small orders of crafts I've been able to place with them are not enough to sustain them. The last photo I saw of the group showed discouraged faces, and I am not sure what to do. I can't travel to Uganda any more, for health reasons, but even if I could, I no longer have the opportunities to sell Bitengye items as I did before I retired from teaching.
On a brighter note, the director of a retreat house in Nanaimo asked me at the fund-raiser, if I could send her photos of the items made by the Bitengye Designers. She is hopeful of being able to place a small order. And the Christmas craft fairs we attend in several local communities are another venue where we sell their goods. But the real problem is with a lack of knowledge of in-country marketing, and this is something I can't pursue. I am left with a feeling of having let these women down. I haven't forgotten them - I just don't know what to do to help.
I wonder if this is the natural way to feel at the conclusion of a project. In the development world, there is a great deal of emphasis on "sustainability". But in poor countries, how realistic is it to think, even after eight years of involvement, that something like the sewing project is sustainable? How do women sell the goods they make in an economy that is hand to mouth, where people purchase only the essentials? I wish I knew the answers.